Ollie Rosenblatt

Founded by Ollie Rosenblatt, Senbla is a London-based concert promoting and production company that operates both nationally and internationally. Senbla works across multiple forms of live entertainment from artist touring, one-off specially produced shows, film with live orchestra, outdoor concerts, family entertainment, theatre, and experiential.

In the artist touring and outdoor concerts world, we have worked with Diana Ross, Michael Buble, Lionel Richie, Quincy Jones, Gwen Stefani, Duran Duran, The Chemical Brothers, Burt Bacharach, Ennio Morricone, Tears for Fears, Tony Bennett, George Benson, Soft Cell, Sophie Ellis Bextor, Paul Weller, Joss Stone, Itzhak Perlman, Marc Almond, and Jack Savoretti, amongst others. We operate and promote major outdoor sites such as Bath’s Royal Crescent, Castle Howard,  Wasing Estate, Kew, and Harewood House.

Senbla is also notable for promoting and producing one-off special concerts that have also gone been broadcasted on BBC TV and Radio. These include the A Life in Song concerts with Quincy Jones, Tim Rice, Don Black, and Burt Bacharach.

Senbla were the pioneers of touring ‘Films in Concert’ shows in the UK, promoting the Harry Potter franchise, Star Wars franchise, Beauty and The Beast, La La Land, Love Actually (UK and Australia) The Godfather, The Muppet Christmas Carol, Encanto, and The Holiday in Concert, amongst others. We have also produced and own worldwide rights on The Joker, Film and Live Orchestra, The Holiday, and Spider-Man: Into The Spider-Verse, which will go on a global tour

Senbla also works in the family entertainment space as a co producer on the hit show Circus 1903 that has run consecutive years at the Royal Festival Hall and has co-produced various musicals, as well as investing in musicals and theatre.

In July 2019, Sony Music acquired a majority stake in Senbla. In 2020, Senbla expanded its offering and now owns two music festival Strawberries and Creem and The Cambridge Club, as well as helping to acquire businesses for Sony in the experiential, performing arts, family entertainment, and theatre space both in the UK and the US.

REPORT